Starring
Desi del Valle as the main character, a woman grieving the death of her girlfriend only after experiencing the vulnerability of sleeping with her best friend.

2009 USA 12 minutes narrative
Screenplay: Desi del Valle
Directed by: Desi del Valle & Hollie Lemarr
Produced by: Desi del Valle & Hollie Lemarr
Editor: Hollie Lemarr
Director of Photography: Paul Samuel Jacobsohn
Music: Barbara Malaran & Nicole Jaquis
Sound Design: Mike Sperling
Starring: Desi del Valle, Susan Papa
Featuring: Lydia Bell, Chris Leideck
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Official Selection:
- NewFest New York LGBT Film Festival (2009)
- Frameline San Francisco International LGBT Film Festival (2009)
- OutFest Los Angeles Gay and Lesbian Film Festival (2009)
- North Carolina Gay and Lesbian Film Festival (2009)
- Fresno Reel Pride Gay & Lesbian Film Festival (2009)
- Cinemarosa Queens' Only Queer Film Series (2009)
- Oslo Gay & Lesbian Film Festival (2009)
- Image Out The Rochester Lesbian & Gay Film Festival (2009)
- Seattle Lesbian and Gay Film Festival (2009)
- image+nation Montreal's International LGBT Film Festival (2009)
- Bloomington (Indiana) Pride (2010)
- Savannah Gay & Lesbian Film Series (2010)
- Melbourne Queer Film Festival (2010)
- London Lesbian & Gay Film Festival (2010)
- San Diego Latino Film Festival (2010)
- Cleveland International Film Festival (2010)
- Bendigo Queer Film Festival (2010)
- Torino GLBT Film Festival (2010)
- Mumbai International Queer Film Festival (2010)
- Miami Gay & Lesbian Film Festival (2010)
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DESI DEL VALLE
Desi del Valle is a prolific actor, having appeared in dozens of LGBT films such as
Desi's Looking for a New Girl (Mary Guzman), Costa Brava (Marta Balletbo-Coll), Mod-Fuck Explosion (Jon Moritsugu),
Some Prefer Cake (Heidi Arnesen), and
Drift (Quentin Lee). For 12 years, Desi resided in San Francisco and worked in distribution at Frameline, directing the program from 1995 to 2004. She returned to New York City in 2004 and performed at The Cherry Lane and The Joseph Papp, and currently works as a film and television actor.
Back to Life is Desi del Valle's second short film since her 1994 release, Cruel.
HOLLIE LEMARRHollie Lemarr has been producing, directing, and writing short films for the past nine years in the San Francisco Bay Area. With a passion to produce lesbian films that are inspired upon true life events, Hollie has been successful in the last eight years to have had two films reach festival audiences from Hawaii, across the US and clear to Norway. Her most recent film Back to Life, Hollie teamed up with veteran actor, Desi del Valle, who wrote and co-directed the film, which is sweeping the 2009 festival circuit. Hollie's future projects include a re-cut of a previous film that she shot for a mere $1200, as well as the script development for her first comedy, a film that is certain to have the audience screaming for an encore.
Director's Statement:
DESI DEL VALLEThe stories in my short films are raw and deeply personal. Therefore, I'm often asked if Back to Life is autobiographical. In a way it is, though it is not a documentary. Rather, I took real-life circumstances and embellished. For example, when I suffered deep, personal loss in 2007, one of the toughest things was touch deprivation; how there was no one to hold me and comfort me in a physical way. For Back to Life I thought it was more cinematic if the protagonists slept together, further complicating an already difficult time in the main character's (Trista) life. From the real life emotional comfort I was receiving from straight girlfriends, I came up with the character, Monica, Trista's best friend, and the rock in the story. Though I deliberately strung out awkward uncomfortable moments--as when the two must untangle the fact that they've just slept together--the film also moves quickly because it covers a lot of ground: death, loss, grieving, denial, friendship, sex, "cheating", love, and not least of all, ownership over one's body. None of this is necessarily spoken. That would be dull. Straight, confident, and married Monica attempts to address these questions head-on. But "coping" with a very recent loss, Trista, is far from ready to deal with her feelings, let alone tough questions. Her friendship with Monica is tested, not just because they've just slept together, but because Trista distracts herself by shifting the focus to Monica's marriage and to what her husband should or shouldn't know about what, in Trista's words, "just happened".